The Vienna-based ensembles introduce us to a new, partly artificial space. In a live radio play, the author circles around a head, an artificial head microphone. This gives the audience with their headphones the illusion of a 360° experience and immerses them in an interplay between closeness and distance, interior and exterior perception, and real and artificial spaces. Residual landscapes emerge, memory particles, day and night dreams: Fragments rushing away in different directions are also reflected in pieces by Iannotta, Saunders, Schinwald, Lang and others.

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